PARNASSIANISM’S EFFECT ON THE MODERN ARABIC POEM AN APPROACH TO THE LEVELS OF AESTHETIC CONSTRUCTION

Abstract

The philosophy of the Bernese formation is based on the consideration of literature and art as an objective in themsevles whose mission is to entertain not to benefit, stir emotions and inflame the sense so people can enjoy the good literature. Through the modes of artistic composition available with the poet, the ancient architecture of creative  imaginative and poetic classic have been destroyed to build the new world. Therefore, its philosophical structure is based on these objectives:  Achieving human happiness through art, not through science, removing education and educational guidance from poetry and art in general, giving concern to the aesthetic sculpturing through the activation of artistic aesthetic image more than their interest in artistic and literary contents, and working within the artistic impact to making life an imitation of art, and not vice versa. My paper will search for the previous representations in the poetic text of modern Arabic, by approaching the levels of aesthetic sculpture by some poets such as Nizar Qabbani, Sulaiman Jawadi, Suad Al-Sabah and others who have the desire to transcend the familiar construction model and search for self-contact in Artistic manifestations in their poetry. The pen of the contemporary poet began to draw the imagination of the reality mixed with the Bernese formation, as an alternative and as a means to escape, skip and reject. Homeland and woman were the beginning of this aesthetic work.